Previous two runs of this patterns have the anchors on 1st and 2nd column, so it's overall well balanced. The anchors themselves are meant to represent the lead (is that the lead? sorry I don't know names lol) that keeps increasing in pitch between consecutive runs.
Previous iterations of this pattern earlier in this section utilize the same anchor on different columns, so it's all well balanced (well, less the jumptrill this particular anchor leads into), though I have to admit these anchors only appear every other loop only for the lack of a better transtition to switch hands between the loops (as in: measure 913 has a 1-4 trill into a 3-2 trill, but at measure 915 the very same sound is represented with a 1-4 trill into a 1-3 trill, which allows the next two loops with a slightly different tone to be mapped with mirrored patterns, balancing out the straing between hands. Then measures 917 and 919 utilize the same anchor to mirror itself in the following loops, and so on). Technically the last loop doesn't transition into further loops, so it doesn't have to use that anchor, but at the same time it would end up using different patterns compared to previous loops for seemingly no reason.
These aren't just anchors, they were supposed to be double anchors (or hidden trills, if you will): for 705298 it's a 4-2 trill, which transitions into a 1-3 trill at 707144. At 712625 it's a 2-3 trill (which is a bit shorter, since the melody changes earlier), and at 716375 it's a 4-1 trill, which due to the songs increased intensity, or suspense, transitions into the same columns into a 1-4 trill at 718164.
I left them without a jump on purpose, as having them there would take a lot of emphasis away from the notes that do have a jump mapped to them, and restoring that emphasis would make the section unreasonably dense.
Guidelines state to avoid 30 second long breaks and while yes the original chart does have a break and the map is super stamina intensive and benefits from these breaks; you can still have a break in the map just by charting the piano. I think it'd be better to follow guidelines than to try to recreate the GH chart.
Similar to the original chart, the jumps in this section represent the bassline in the background, rather than the melody. It's a bit odd, but it's just the way it was done originally, and I wanted to stick to that.
I can see where you're coming from, but unless you're listening to it very closely i think its rather hard to hear the bassline, especially when playing the map it could be seen as very odd.
They're only there to add denstiy to the pattern, to emphasize the fact the the sound there (the note that starts playing at the beginning of the measure) is louder and stronger than those before.
Despite what it may look like I was actually trying to use similiar patterning to the original Clone Hero chart (of course where applicable and reasonable). It's a lone LN in the original there, so I'd rather leave it the same way here.
Source shouldn't be Clone Hero, as it's a single and not made directly for the game's OST. It should be left blank and put into the tags.
missing note
3rd lane anchor is nasty, do rearrange notes
same for 900933
*but for 4th lane forgot to mention
Previous two runs of this patterns have the anchors on 1st and 2nd column, so it's overall well balanced. The anchors themselves are meant to represent the lead (is that the lead? sorry I don't know names lol) that keeps increasing in pitch between consecutive runs.
anchor on 3rd lane seems unnecessary, can rearrange notes to make anchor shorter
Previous iterations of this pattern earlier in this section utilize the same anchor on different columns, so it's all well balanced (well, less the jumptrill this particular anchor leads into), though I have to admit these anchors only appear every other loop only for the lack of a better transtition to switch hands between the loops (as in: measure 913 has a 1-4 trill into a 3-2 trill, but at measure 915 the very same sound is represented with a 1-4 trill into a 1-3 trill, which allows the next two loops with a slightly different tone to be mapped with mirrored patterns, balancing out the straing between hands. Then measures 917 and 919 utilize the same anchor to mirror itself in the following loops, and so on). Technically the last loop doesn't transition into further loops, so it doesn't have to use that anchor, but at the same time it would end up using different patterns compared to previous loops for seemingly no reason.
makes sense
this section has VERY long anchors that could be optimized better, i.e. 705298 2nd lane, 707144 3rd lane, 716375 1st lane
These aren't just anchors, they were supposed to be double anchors (or hidden trills, if you will): for 705298 it's a 4-2 trill, which transitions into a 1-3 trill at 707144. At 712625 it's a 2-3 trill (which is a bit shorter, since the melody changes earlier), and at 716375 it's a 4-1 trill, which due to the songs increased intensity, or suspense, transitions into the same columns into a 1-4 trill at 718164.
starting from here to 694164 theres a lot of 1/2 notes that don't have a jump that should to represent the lead.
I left them without a jump on purpose, as having them there would take a lot of emphasis away from the notes that do have a jump mapped to them, and restoring that emphasis would make the section unreasonably dense.
makes sense
Would go against this 29 second break, the piano part is not physically demanding and it wouldn't hurt to chart it
if you end up charting that, also chart 934164
Again, it's a reference to the original chart. If you find it too disturbing I can map these sections, but for now I'd prefer to leave them as is.
Guidelines state to avoid 30 second long breaks and while yes the original chart does have a break and the map is super stamina intensive and benefits from these breaks; you can still have a break in the map just by charting the piano. I think it'd be better to follow guidelines than to try to recreate the GH chart.
Ackshually it's not 30 seconds long :trol:
this sound is a jump, but every other instance of it in this part its represented as a single note. make every instance of this a jump?
304163|1,304163|4 its also a jump here
Similar to the original chart, the jumps in this section represent the bassline in the background, rather than the melody. It's a bit odd, but it's just the way it was done originally, and I wanted to stick to that.
I can see where you're coming from, but unless you're listening to it very closely i think its rather hard to hear the bassline, especially when playing the map it could be seen as very odd.
makes sense
these could be jumps to represent the lead fading out
291009|1,291470|2 same here
unsure why these are jumps when they contribute nothing to the sound
288124|2,288124|1,289047|3,289047|4 same here
They're only there to add denstiy to the pattern, to emphasize the fact the the sound there (the note that starts playing at the beginning of the measure) is louder and stronger than those before.
makes sense
could add some notes on the left to represent the fading in and out sound, or replace the ln with some jacks
Despite what it may look like I was actually trying to use similiar patterning to the original Clone Hero chart (of course where applicable and reasonable). It's a lone LN in the original there, so I'd rather leave it the same way here.
jump to represent lead
199855|4 same here
could add a jump here or change the structure of the running man to represent the chord changing here
184394 same here
missing jumps, same sound as here '114470|3,114470|4'
114470|3,114470|4 *
-7 ms offset