Nacreous Snowmelt
Camellia
Source:
n/a
Tags:
AlexDunk electronic kamel camellia hardcore psytrance hardstyle future bass drum n bass 200 step thx for 70k followers twitter
BPM:
201
Length:
7:00
Passes/Fails:
2285 / 10166
the clock ticking is present here as well, so I would signify it with a short LN as you did before.
I know this is intentional, and it is an expert difficulty, but consider moving this triple 1/4 jack to the left hand only. Right after the difficult lachryma pattern (trills in columns 2 and 3 while holding LNs on 1 and 4) AND holding the LN in the 4th column this is ridiculously hard to keep combo on, even if you expect it.
accepted with a few other minor changes to optimize playability
if you listen closely, the jump should be on the blue line before you put it, signified by the kick in the drumline.
these six sounds in the song are all the same, so I don't see why you chose not to map the first two as a minijack as well.
despite the similar rhythm, making the first two non minijack makes for a much smoother transition and feels more natural to play. honestly i would normally agree to this kind of consistency issue but this really does fit better.
This burst is very sudden and I don't see a justification for it in the song.
295832|4,295869|3,295907|2,295944|1,295981|4,296019|3,296056|2,296093|1 here as well, but it's comfortable to play so at least it won't be a problem to the players. Still, can't see where the song points to it.
accepted for the first for playability. the second one was denied, because there's a lot of other parts that are quite dumpy in a similar fashion
since you're introducing a new part with triple jacks I don't see why there shouldn't be a triple jack here as well. Also, there are two triple jacks on the same column right after that, which is a bit harsh imo.
this effectively doesnt make sense, but i'll need to wait for Alex's responses since it's his part.
i only do splits like that when theres a vocal line, and i dont want to do triple too many on left hand cause i dont feel comfortable playing it. so i would like to keep it
at this point you suddenly stopped placing minijacks despite the fact that the music does not change at all. Consistency is key.
Also Alex's part.
applied.
The whole transition to the next section feels pretty undermapped when compared to the rest of the map. There's pretty impactful 1/4 buildup and some other strong percussions, which seems more relevant than mapping only the vocal chant. I'd strongly recommend reworking this part.
This layering is more justified here, for example 344638|4,344638|3
Also Alex's part, will await for his response.
applied.
again, the second note does not exist in the song. No way to edit posts so I had to make a new one.
the second note does exist, but it's a different sound so i'll ask Alex if he wants to change the pattern slightly
remapped.
If you listen closely, the second note isn't actually present in the song, so there's no reason for a minijack.
it is a bit less perceptible here, the sound still has kind of a pitch shift. will wait for Alex
reworked.
This LN should be on this tick: 90537
I don't see a particular reason for the lack of notes in between these two. Correct me if I'm wrong of course.
Alex's buildup but i'll answer for him: there is not really a sound there, and i dont think he mapped it at other places before
I'm not sure what these long notes (and others in this part) even represent. I think at times they show the smooth voice in the foreground, but it's not reflected well. If it does represent that melody, I suggest for example to add long notes here 82477|4,82626|2 to show the fact that the pitch is changing. In general in parts like this when the song uses very long notes, I recommend not breaking them up unnecessarily either.
added long notes.
these notes are descending in pitch, and aren't mapped this way. I suggest making them go from right to left to represent it. This entire calm part of the song isn't very dense, so pitch relevance is easy to notice and easy to change - I recommend you do that.
unnecessary triple imo
the triple would rather fit here 351952 actually
I think these are bit too overmapped and doesnt follow song intensity too well
like the music there doesnt sound like 1/8
theres like a bunch quite minor sounds its like 1/8 when i listened to it in 50% speed. but i reduced the amount of them since i only hear the sounds at the last four 1/8 notes. fixed.
Suggest tidying this part up so the intensity of the jack represents the melody, or the bass/drums
these all being triples might reduce the intensity of the last triple, which I think is the more important note
Suggest making the previous 2 doubles for emphasis
Double like what you did here: 103820|4,103820|1
I dont see any reason for this being a double
Triple?
the triples are only used for the stronger drum in that section
According to the rules you were applying this should be a triple
nvm disregard this my bad
oh lol
I think this wub should be snapped here : 73298
actually I think its on the 1/8th beat right under that timestamp
I think this wub is snapped 63746 here
66059|4,66059|3 same with this , here: 66134
68447|3,68447|4 same with this , here: 68447|4
actually I think its on the 1/8th beat right under that timestamp
Add note?