Ganbare Dokaben (Totsumal's "Back To 90's Nerdcore" Remix)
Koorogi '73
Source:
A-Remix Nation 4
Tags:
for you sounds, arn0004, 水島新司, 保富康午, 菊池俊輔, 大倉正丈, 上野博樹, 津島隆文, さとまさのり, 岸龍也, shinji mizushima, hotomi kougo, kikuchi shunsuke, ookura masatake, ueno hiroki, tsujima takafumi, sato masanori, satomasanori, kishi tatsuya, トツマル, totsumaru, baseball, electronic, japanese, こおろぎ'73, がんばれドカベン (Totsumal's ”Back To 90's Nerdcore” Remix), ドカベン, dokaben
BPM:
185
Length:
2:45
Passes/Fails:
3 / 3
Ah obligatory end diff spike. Change stream structure so for "ganbare" vocal it flows to the same side more. I think that will work well with constant repeats
it doesnt have to be all to the left or to the right, but make changes less frequent than what you have now
also the stream could use more work to remove all the weird brackety - trilly patterns
112395 - 116612 - focus vocal more here by changing how you use gaps in streams.
I suggest sticking to the kind of spike you were using at 83530. Because sudden brackets kinda suck
69909 - 79639 - check for handbalancing. I assume you were going for a wave balancing (left then center then right and so on), this part doesnt really apply.
Why was this sound omitted? (139882) This instance wasn't…
focusing on vocal sample
You can hear the amen sample in this time, I think you should make this a 1-note chord to improve flow.
this doesn't sound obvious as two 1/4 claps like 80125|2,80125|1,80125|5,80206|3 and 139800|2,139800|3,139800|5,139800|6,139881|4
What happened to the 2-2-4 chord sizes, what reasoning do you have to make them a 3-1-4 pattern?
because the trumpet comes in
I think it's better to chart this sound as a 2-note chord rather than 33017 and 33179, since the clang sound is more audible compared to the glitch sound thingy.
I can get it but section 25801 ~ 36179 follows every glitchy sound unless there are only kick and clap at all