Through Patches of Violet
Mili
Source:
Limbus Company
Tags:
jack bursts, art pop, classical, electronic, KoderDeSalmin
BPM:
316
Length:
3:46
Passes/Fails:
21 / 150
Interesting speedjack idea, but They seem very randomly place and doesn't really follow and consistency imo.
I get where you're coming from when it comes to consistency, seeing as most of the chart is just normal rice dump, but when I made it to the drop I wanted to try something different and I honestly really like it. I tried keeping it consistent though by 1. It only does that during the really intense part of the drop, and 2. I did it the same on both drops so it's not a one-off thing. Although, I see where you're coming from, as up until there it is just a normal dump map. It think it would be boring without the speedjack though so I'm keeping it.
I can see in the layering you mapping to the synths but I REALLY don't think they warrant being mapped. I would recommend staying to mapping the vocals or the violin.
I personally think the synths being super loud and dramatic in the pre-drop absolutely warrant them being mapped. I also wanted kind of a little break before the drop since it is admittedly a bit of a diff spike.
also hitting those before the drop makes me feel cool
Why is this mapped differently? You map the lyrics the same every time and this switch up in the flow isn't really warranted.
I mapped it differently since when I'm listening to this song the violin in that part REALLY stands out to me, so I decided to dump the violin (with hands/jumps representing the voices). I also wanted to switch it up since the music notably changes there with the violin getting much louder, I don't like having the same kinda patterns and mapping(?) drag on when I'm mapping.
Same with these as they don't really represent anything in the music. Since you made all jumps to the lyrics I would recommend going through and keep that representation as it gets blurred when you add jumps where there isn't any lyrics
those jumps represent the synth, since the synth was basically the stand-in for the beat in this part of the song. I also used the synth as markers for when to switch the pattern (if that makes sense), which also worked nicely since the people singing tended to say different words around the same times
These jumps seem to not represent anything. I would consider changing them.
same as I said previously;
those jumps represent the synth, since the synth was basically the stand-in for the beat in this part of the song. I also used the synth as markers for when to switch the pattern (if that makes sense), which also worked nicely since the people singing tended to say different words around the same times