d e a t h p i a n o ~ for four pianos ~

xi

i suggest move to col 6 cus the pitch of the piano is increasing

should be triple cus same sound as 157915|1,157915|4,157915|6

plz alleviate this anchor, really mindblockable pattern

i suggest move to col 3 or 4 for better playability and so theres no minijack on col 1

i suggest move to col 6 to avoid the minijack on col 3

id highly advise you to avoid this types of pattern with a minijack in the middle column + a stream after it on the same hand. its really uncomfortable for no practical reason at all even with the song context. would just make it more flowy

i get why these are the same chord arrangement but paired up with the trill 163338|5,163414|6,163491|5,163567|6,163643|5,163719|6 it just doest feel very climactic especially for the really pronounced piano sounds here. could do something like

considering you made these quads, then you should do the same for 150681|1,150681|2,150681|3 because its practically the same sound. preferably at col 6

could be triple or quad cus of the intensity of the piano chord here and to add contrast here

5 chord is too much imo especially considering its prominent but not too prominent as other quads you represent like 106944|7,106944|5,106944|3,106944|1

move to col 2 to differentiate chord at 72945|3,72945|4

this pattern is pretty uncomfortable to play and also somewhat inconsistent with how you represented out piano burst sounds. i suggest this

triple cus same sound as 68827|2,68827|4,68827|6

this is pretty uncomfortable and unpleasant pattern to look at ngl, how about this

should be triple or quad cus similar sound as 55062|5,55062|3,55062|7,55062|4

not an issue per se but i think with the pill and connected chords, it de emphasizes the very prominent sounds here, instead I suggest make them have spacing, something like this

could add note for piano chord sound similar to 52238|7,52238|4,52238|3

im sorry but this section needs a rework. I get the intention here. the song is really really intense an obviously the climax of the song. However, the fast bracket patterns with a lot of hand biases an anchors just dont mix well to each other, they don't play well imo and is quite a shift than the previous sections of the chart structure wise. I feel like the incorporation of more flowy patterns like streams and double stairs could be really cool especially with the numerous piano crescendos in the section here. incorporating stream direction instead of just what feels like a mindless and random note placement would also be beneficial in to making this section feel "alive"

why is the right hand noticeably more filled up with notes than on the left? i dont think theres a good justification for this as q. it plays bad 2. the varying intensity of song here essentially constitutes for varying gameplay i.e stream direction and a balance of hands/columns

triple feels to exagerrated, the sound here is relatively quiet so i suggest a single only

these kinds of patterns with the right index and thumb can be really awkward to play especially with the frequency here. As a right thumb player, this requires too much finger control and independence. Most notably i think this section has too much of a right hand bias so i suggest move some notes to the left hand

honestly i feel like this section requires too much finger coordination especially with all the graces and stuff, I think it would be beneficial if you made it more flowy so it isnt as awkward to play

should be triple for piano chord sound

should be triple for piano chord sound

could switch up the stream direction because previously from the stream before its already in right to left motion so to vary it up and provide contrast, you could make it left to right

musically, there are literally all just consecutive single piano notes. there are no intensity differentiation between them besides pitch, so why the varying chordsize? feels a bit weird to me imo