Kislorod

Receptor

267518 vs 278616 uses different patterning for the exact same musical section so applying the minijack pattern at 267518 to both should fix the issue

73471|4,73558|3, 76246|3,76332|1, 84569|3,84656|2, 92893|4,92980|3

since 47200 used a double, this should have one too i think

do a 5 note burst to be consistent with 99743 and the likes

should have a note here for consistency w 75702|3 and cuz you don't exclude out stuffs like this anywhere else

bass sounds not layered here when compared with previous sections such as 55783|1,55827|2,55870|4,55913|3. its excusable for 59946 as you have your priority in layering and that's clear to me

shouldn't there be a wub burst here for consistency with the previous sections (90292, 89599)? it slowly echoes out, so maybe just represent them as less dense bursts but that's up to you

there's no growl heard so i think you should use something else (if you're mapping to something else that's quite a confusing usage too)

there's a growl here, add a 1/8 burst like how you always did?

311044 to 330986 has quite variable patterning in a bad way (especially on the instrumental-synth-thing). i understand your intention to mix up things a bit, but here it becomes inconsistencies due to how vastly different some iterations can be (you switched between continuous doubles, to double-single-double, double-double-single, some with jacks, some without jacs, blabla..). would be nice if you can rework on this to be more consistent.

i'm very sure there's a missing note here

this is surprisingly underwhelming for a set of continuous kicks (especially compared to 88125 which is a bit similar), personally you might need to use sum more jacks on this to differentiate this with surrounding patterns

(the timeline i'm gonna refer in this mod is 267518, 268905, as well as similar iterations occuring later)

felt somewhat confused with this patterning change, you were using doubles at the start of each of these growls (the first one is not exactly a growl but eh you patterned it the same) and now triples are being used

same for 278616, 280003, the 1/8 bursts are moved by 1/4, which is yet another patterning "variety" for this

i think the reason for this is to make stuffs less repetitive, but 1. the bursts already varies in itself and 2. this kind of variety feels more disoriented than engaging imo

there's nothing worth emphasizing here (no percussion, no instrument) so this should be a single

grace for the synth?

this is more of a subjective concern, however it would be nice if you progresses from 1/6 (to maybe 1/7) to 1/8 so that it can make a smoother buildup to accompany the pewpews getting faster

also this small v at 219136|2,219179|1,219223|2 right after the minijack at 218876|1,218962|1 is quite abrupt so i also suggest rearranging this

compare to other iterations of this pattern (ie 49888), this is an inconsistency, since you used 1/6 here while used 1/8 for the rest of the stuffs.
however, i personally prefer using 1/6 wayyy more than 1/8, because of how the growl fades out

you can either fix the 1/6 burst to 1/8, or make all other iterations of this growl mapped like 83183, both works fine i suppose

i think this should be a double, there's only a kick here (and if any pew-synth does exist it's also unnoticeable)

feels like this can be removed, places like 52769, 74965 and 86064 (they all have that echo-y synth) doesn't have any notes there so i assume this is a patterning inconsistency

dunno why this is a triple but 58015 is a double when there's notably more emphasis on 58015

i think a note can be added here to match with 32263, also for the "volume-progressing-synth" i mentioned below

(this is more of a general consistency issue actually.)
from 11217 to 13992, 16766 to 19541, the "volume-progressing-synths" (which appears from 8963 to 11217) doesn't exist at these sections, so the long streams are quite misleading. pls remove the notes above to fix this, unless you have another reason to specify

i believe you should add a note here considering 2807, 4194 (and similar iterations) all have a note there

288847|1, 288934|1, 289020|2, 289107|2, 289194|4, 289280|4 stacked notes

section starting at 288673|4:
A lot of trouble with consistency here. This triple-minijack figure 288847|1,288934|1,289020|2,289107|2,289194|4,289280|4 is correctly replicated at 290234|4 and then at 291621|2,291708|2,291795|3,291881|3,292055|4,292142|4 the third minijack is off by one 1/4 beat. Then at 293009|4,293095|4,293182|1,293269|1 there are only two minijacks… And similar inconsistencies throughout the section.

295176|3 is a single note despite representing a kick and creates a single minijack with the following hand - while at 297951|1,297951|4 not only is it a jump, but it creates two minijacks at once. A bit later, at 309049|3, the kick is a single note that doesn't even create a minijack with the following hand… you get the point.

I would suggest finding one single structure template for the repeating phrases of this section that you want to go with and remapping that part with this structure in mind, because (speaking from experience) trying to fix a load of inconsistencies in such an intense map is often tedious and unnecessarily time consuming.

are those mapped to the new echoing sound? If so, you missed them starting at 258847|1.

245668|4,245668|1,245841|4,245841|1 (and other instances of this): This is a 44ms gap between releases. While it's not unallowed in theory (36ms is the minimum according to the RC), the usage of releases and release gaps anywhere near the limit needs to be heavily backed by the general structure and concept for the chart. To put it simply - these sorts of releases and gaps are fine if the map's general concept is to operate on tricky releases. This map's general concept seems to mostly revolve around minijacks and light speedjacks - which makes such gaps inappropriate.

I think it would be pretty cool if that ln grace was mirrored (since that one is heard on the left ear primarily, and the following pattern is mirrored in this way)

the section starting at this timestamp is pretty confusing in general. The song only keeps building up, yet the map becomes infinitely easier at this moment for some reason. Where did all the jacks go?

86130|1,86217|1,86303|1,86390|1, 87171|3,87257|3,87344|3,87431|3 these quadruple jacks have their justification in the song, but definitely no justification in the context of the map's overall difficulty. A decent way to convey those without them being a painful difficulty spike would be to make them two separate minijacks on the same hand (for instance conseecutive minijacks on columns 1 and 2).

88211|3,88211|2,88298|3,88298|2,88384|3,88384|2,88471|3,88471|2 as for this one I see a better case for a quadruple jack here - however to balance out the difficulty it would be more reasonable for the jack to be onehanded (e.g. columns 1-2 or 3-4).

77806|4,77806|1,77980|4,78066|4,78153|3,78153|2,78153|1,78327|1,78413|1,78413|3,78673|2,78760|2,78847|1,78847|3,78847|4 and other instances of this:
The song gets more complex and is adding more elements to it over time. The map tries to highlight those changes by ironically removing objects - this creates very arbitrary empty spaces in the middle of an intense section of the song. There are other ways to represent the new sounds, here are a few possible options to try:

• keeping the minijacks on one column and have the density of the other hand balance out roughly
• using short LNs on the same column to emphasize the new short sounds
• (a little trickier) represent those beep boops as one single type of jump (preferably onehanded) and use them alongside the jumps that come from kicks while balancing out the patterning accordingly

lack of minijack at 59945|4,60032|3 despite it being at 54396|3,54483|3, make sure to scan the map for other instances of that sort of stuff too. It's important to stay consistent - either of these approaches is fine, but not arbitrarily switching between each other.

missed hands at 59425|3,59425|4, 60812|1,60812|4 and a couple other places

pay attention to hand balance in your patterns! 45899|3,45899|1,45986|2,46072|1,46159|1,46246|3,46246|2,46246|4,46332|1 or 50061|2,50061|1,50147|3,50234|1,50321|1,50408|2,50408|3,50408|4,50494|1,50581|2,50668|4,50668|2,50754|1 exhibit a massive and intrusive hand bias, and there are a lot more cases of this sort of patterning. The patterning should ideally aim to be balanced between the hands most of the time!

The first step to fix that would definitely be to rearrange the minijack positions to usually switch hands (for instance, after the first minijack on the left hand, the second should ideally aim to be on the right hand, unless there's some special pitch relevancy concept at play or whatnot)

in this section the layering scheme appears to be (among others) a kick in the song equals a jump in the map. Therefore, 45379|2,45379|1 and 48153|3,48153|2 and 50928|2,50928|1 and several others should be single notes.

missed jump